In the coast range mountains on the western edge of the Salinas Valley is a ranch where Tom, a lad of about ten, longs for a pony. He lives with his mom, who was born there, her dad, a talkative pioneer who misses the old West, Tom's dad Fred Tiflin, who comes from the city and after years on the ranch doesn't feel at home there, and Billy, their trusted hand, a real cowboy. While Fred has to sort out whether he wants to stay a rancher and come to terms with his son being closer to Billy than to himself, Tom gets a pony and learns directly about responsibility and loss. What lessons can each learn, and are tragedy and hard choices all that life offers? Are laughter and joy anywhere?

The Bounty leaves Portsmouth in 1787. Its destination: to sail to Tahiti and load bread-fruit. Captain Bligh will do anything to get there as fast as possible, using any means to keep up a strict discipline. When they arrive at Tahiti, it is like a paradise for the crew, something completely different than the living hell aboard the ship. On the way back to England, officer Fletcher Christian becomes the leader of a mutiny.

In the 1943 invasion of Italy, one American platoon lands, digs in, then makes its way inland to attempt to take a fortified farmhouse, as tension and casualties mount. Unusually realistic picture of war as long quiet stretches of talk, punctuated by sharp, random bursts of violent action whose relevance to the big picture is often unknown to the soldiers.

Amid the anarchy of China, an American mercenary tangles with a ruthless warlord.

This is an English language film (made in America) adapted from a novel by German author Erich Maria Remarque. The film follows a group of German schoolboys, talked into enlisting at the beginning of World War 1 by their jingoistic teacher. The story is told entirely through the experiences of the young German recruits and highlights the tragedy of war through the eyes of individuals. As the boys witness death and mutilation all around them, any preconceptions about "the enemy" and the "rights and wrongs" of the conflict disappear, leaving them angry and bewildered. This is highlighted in the scene where Paul mortally wounds a French soldier and then weeps bitterly as he fights to save his life while trapped in a shell crater with the body. The film is not about heroism but about drudgery and futility and the gulf between the concept of war and the actuality.